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October 31, 2012 by Simon Sweetman

Five Albums I’m Loving Right Now: Simon Sweetman

Future posts will be by special guests. A chance to share your current favourites – old and new; the albums that are really doing it for you right now. If you’d like to contribute a post to Five Albums I’m Loving Right Now drop me a line. I thought I’d get the ball rolling…

 

1 – Blur, Think Tank: I loved this album when it was released. In fact it very quickly became my favourite Blur album. Perfect bridge between the work Albarn had done and what he would go on to do – it plays out like a Damon Albarn solo album in many ways. And then I forgot about it. I lost the copy I had. I couldn’t find it for a while. Blur’s new reissue campaign means I’ve just bought the double-CD and the double-LP. A nearly perfect album. And I say nearly perfect because it’s one giant stinker of a track. All great albums should have one dud I reckon. It keeps you searching for the perfect album.

 

2 – Azealia Banks, 1991: Okay, so it’s not an album, it’s an EP. But it’s fantastic. It started with that song. Obviously. And nothing else could touch it. And while it’s still the standout the other tracks have really grown on me. It helped forking out for the vinyl.

 

3 – Neil Young & Crazy Horse, Psychedelic Pill: It’s very early days, time will tell. But right now I like this. And I want to keep listening to it. Crazy Horse is like an old pair of comfy shoes, maybe even some trackpants. Good to just lounge around with/in. There’s no new ground here – and that makes it better still. You don’t buy Neil Young with Crazy Horse and expect innovation. You expect a guitar that sounds sick, that gives the finger, that takes a hit and then crumbles, refusing to go silently, knocking everything down with it – only to stagger back up to its feet emerging from the rubble seemingly stronger than ever. Yeah, erm, anyway. There’s a new Neil Young and Crazy Horse album. The second for the year. This one a double. I’ve been playing it a lot lately. I think I really like it.

 

4 – Tom Petty & The Heartbreakers, Damn The Torpedoes: My introduction to Tom Petty – in terms of it being the first full album I heard. My brother had the tape, I inherited it. Then bought the CD. Now I’m back on the vinyl – a second-hand copy that I bought some time ago. It’s been a friend for a long time, this album. Just so good. But it’s found its way back on to my turntable just recently after a long time in the crate. It knows how to wait in the wings, this album. It never dwarfs the competition; it makes other records feel welcome. Then you play it and you know who is boss.

 

5 – James Rhodes, Live In Brighton: I wrote a blog-post about James Rhodes, the man that is saving classical music from itself. And the record company contacted me and offered to send the new live album, a double. Yes please! And it’s as extraordinary as I expected, given the TV series, the YouTube clips and everything I’ve heard. A once-in-a-generation player and talent. And the material’s top-notch too. I’ve been listening to this a lot lately. I don’t see that changing any time soon. Also, I sent him the blog that I’d written. He wrote back saying he must visit New Zealand and that he’d buy me a coffee when he gets here. Nice one.

Posted in Special Guests and tagged with On Song, Simon Sweetman. RSS 2.0 feed.
« Azealia Banks – 212 ft. Lazy Jay
Hüsker Dü – These Important Years. »
  • http://www.facebook.com/tim.gruar Tim Gruar

    Yeah, best album has to be Huskr Du’s Lad Speed Record – A cover of soldiers returning from Vietnam, Mega fast music that is so speedy they’ve finnished before they started and earblistering guitars from Bob Mould. So much angst it explodes to Nuclear levels. There are no songs just a full on 20 minute per site caterwaul. About 25 songs in 20 minutes Brilliant!

  • scarfaceclaw

    The 1991 EP is cool to have on vinyl, but I was underwhelmed with the package itself, being simply the single white paper vinyl sleeve inside the cover. Particularly as a new artist, with at least a bit of record company backing, even a single sheet of production notes/thank you’s/artist background/pictures would’ve been nice. I appreciate sometimes there’s an element of less-is-more/preserve the mystery sort of thing, but I don’t think that’s the case (any longer) with this artist. And no download code…?
    Minor complaint.

    • http://www.offthetracks.co.nz Simon Sweetman

      Yeah, I know what you mean – at least there should have been a download

  • Nate F

    Nice to have onthetracks back, congrats. Loving the new site already,
    just re-read the Sonny Rollins interview, so so good and that subsequent
    gig will always be a life highlight. Solid
    selections
    first up. Took me a long while to acknowledge ‘Think Tank’ being a
    Graham Coxon acolyte but in the end sanity prevailed, ‘Crazy Beat’
    aside… Looking foward to the Azealia album and hoping it has more
    genuine collaboration rather than the borrowing she’s
    becoming
    infamous for… Not really feeling the new Neil but probably should
    give it more time (though could listen listen to all 3 albums Ty Segall
    has released this year in the same time and rightly conclude it really is a
    young
    man’s game). Damn the Torpedoes, nuff said. And haven’t checked out
    the James Rhodes as yet but loved the Piano Man series so sure it’s
    sound. Anyways, loving the new digs, looking forward to more. Cheers.

    • http://www.offthetracks.co.nz Simon Sweetman

      thanks. Plenty more to come. Stuff kindly let me share some of my favourite interviews from Blog On The Tracks but there’ll be new fresh Off The Tracks interviews to come…

  • Simon Sweetman

    hi, thanks – good to be back. I’m looking forward to sharing plenty of guest posts here where readers, musicians and other writers will get to share Five Albums they’re Loving Right Now…

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